Ancient Art

Morocco

The earliest figurine the Venus of Tan-Tan discovered to date originated somewhere between 500,000 and 300,000 BC, during the Middle Acheulean period. Discovered in Morocco, it is about 6 centimeters long. Evidence suggests that this Moroccan piece may have been created by natural geological processes with a minimum of human tool-work, but the piece bears evidence of having been painted; "a greasy substance" on the stone's surface has been shown to contain iron and manganese and indicates that it was decorated by someone and used as a figurine, regardless of how it may have been formed.

Jomon

A Jomon statue according to archeological evidence, the Jomon people in ancient Japan were the first to develop pottery, dating to the 11th millennium BC. The Jomon people were making clay figures and vessels decorated with patterns made by impressing the wet clay with braided or unbraided cord and sticks with a growing sophistication.

Arts Of Ancient Mesopotamia

Mesopotamia (modern day Iraq), is often considered the "cradle of civilization." Within its boundaries, some of the most ancient civilizations known to man first developed writing and agriculture. Many civilizations flourished there, leaving behind a rich legacy of ancient art.

Sumeria

Sumerian goddess from 2120BCSumeria was once considered to be the first civilization. Archaeological evidence attests to their existence during the 5th millennium BC. The Sumerians decorated their pottery with cedar oil paints. The Sumerians also developed jewellery.

One of the most remarkable artifact remaining from the Sumerian civilization is known as the Standard of Ur. Dated to approximately 2500 B.C., the Standard is a wooden box inlaid with shells and lapis lazuli. It depicts soldiers presenting their king with prisoners on one side and peasants presenting him with gifts on the other - stunning evidence attesting to the vibrancy of art in this ancient culture.

Babylon

The conquest of Sumeria and Akkad by Babylon marks a turning point in the artistic as well as political history of the region.

The Babylonians took advantage of the abundance of clay in Mesopotamia to create bricks. The use of brick led to the early development of the pilaster and column, as well as of frescoes and enamelled tiles. The walls were brilliantly coloured, and sometimes plated with bronze or gold as well as with tiles. Painted terra-cotta cones were also embedded in the plaster.

The Babylonians were also great metal-workers, creating funtional and beautiful tools with copper. It is possible that Babylonia was the original home of copper-working, which spread westward with the civilization to which it belonged. In addition, the want of stone in Babylonia made every pebble precious and led to a high perfection in the art of gem-cutting. The arts of Babylon also included tapestries, and Babylonian civilization was from an early date famous for its embroideries and rugs.

Assyria

Assyrian statueLike all other kingdoms, the Babylonian kingdom did not last forever. When Babylon fell into decline it was eventually conquered by Assyria, one of its former colonies, Assyria inherited its arts as well as its empire.

At first, Assyrian architects and artists copied Babylonian styles and materials, but as time went by, however, the later Assyrians began to shake themselves free of Babylonian influences. The walls of the Assyrian palaces were lined with slabs of stone instead of brick, and were colored instead of painted as in Chaldea. In place of the bas relief we have scuplted figures, the earliest examples being the statues from Telloh which are realistic but somewhat clumsy.

No remarkable specimens of metallurgic art from early Assyria have been found, but at a later epoch great excellence was attained in the manufacture of such jewellery as ear-rings and bracelets of gold. Copper was also worked with skill.

The forms of Assyrian pottery were graceful; the porcelain, like the glass discovered in the palaces of Nineveh, was derived from Egyptian originals. Transparent glass seems to have been first introduced in the reign of Sargon II. Stone as well as clay and glass were employed in the manufacture of vases. Vases of hard stone have been disinterred at Tello similar to those of the early dynastic period of Egypt.

Ashurbanipal had promoted art and culture and had a vast library of cuneiform tablets at Nineveh.