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Painting
Painting
is the practice of applying pigment suspended in a carrier
(or medium) and a binding agent (a glue) to a surface (support)
such as paper, canvas or a wall. This is done by a painter;
this term is used especially if this is his or her profession.
Evidence indicates that humans have been painting for about
6 times as long as they have been using written language.
Drawing,
by comparison, is the process of making marks on a surface
by applying pressure from or moving a tool on the surface.
History Of Painting
The
oldest known paintings are at the Grotte Chauvet in France,
dated at about 32,000 years old. They are engraved and painted
using red ochre and black pigment and show horses, rhinoceros,
lions, buffalo, and mammoth. There are examples of cave
painting all over the world.
Painting Techniques
Children
decorate pieces of glazed porcelain at the Augarten Manufaktur,
Leopoldstadt, Vienna. Painting is usually taken up at pre-school
age.
Painting techniques include :
w Impasto
w Computer
painting (Digital)
w Glaze
w Grisaille
w New
materials (painting)
w Pointillism
(aka divisionism, 'stippling')
w Scumble
w Sfumato
w Sumi-e
w Wash
w Brush
Painting
w Fingerpainting
w
(Partially) destructive techniques like grattage and peinture
brul?e, with which Joan Mir?, among others, experimented.
Painting Supports
w
Canvas
w
Panel painting
w
Mural (Walls)
w
Paper
Painting Media
There is a wide variety of artists' paints available for
the professional or amateur artist.Different types of paint
are usually identified by the medium that the pigment is
suspended or embedded in, which determines the general working
characteristics of the paint, such as viscosity, miscibility,
solubility, drying time, etc.
Examples include :
w Acrylic
w Encaustic
(wax)
w Fresco
w Gouache
w Ink
w Oil
w Heat-set
oils
w Water
miscible oil paints
w Pastel,
including dry pastels, oil pastels, and pastel pencils
w Spray
paint (Graffiti)
w Tempera
w Watercolor
Philosophy Of Painting
Much
theory of art is connected with painting. In 1890, the Parisian
painter Maurice Denis famously asserted: "Remember
that a painting - before being a warhorse, a naked woman
or some story or other - is essentially a flat surface covered
with colours assembled in a certain order." Thus many
twentieth century developments in painting, such as Cubism,
were reflections on the business of painting rather than
on the external world, nature, which had previously been
its core subject.
A recent
contribution to thinking about painting was offered by Julian
Bell, in his book What is Painting?. A painter himself,
Bell discusses the development, through history, of the
notion that paintings can express feelings and ideas. The
text is witty and sometimes caustic in order to make his
points ("Let us be brutal: expression is a joke. Your
painting expresses - for you; but it does not communicate
to me. You had something in mind, something you wanted to
'bring out'; but looking at what you have done, I have no
certainty that I know what it was...").
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